Articles

Rodin's touch grew to be infamous, infecting each of the sculptures he created and becoming the metaphor for his famously eroticized persona.  David Getsy examines – in his lecture held on 29 June 2011 at 3.30 p.m. in the Institute of Art History, Husova 4, Prague 1, room 117 – Rodin's material practices as the site of these myths, demonstrating how his persona was disseminated through his ways of making sculptural objects.  Drawing on his new book Rodin: Sex and the Making of Modern Sculpture, Getsy extends his discussion to address Rodin's often-overlooked marble sculptures of the twentieth century as bearing unexpected and contradictory traces of the legendary Rodin Touch.

Attached file: Getsy_for web.pdf

Attached file: Getsy bio for Czech Institute.pdf

On 22 June 2011 Amy Bryzgel from the University of Aberdeen explains – in her lecture held at 3.30 p.m. in the Institute of Art History, Husova 4, Prague 1, room 117 – how different socio-political circumstances influenced performance art in Eastern Europe. In Western Europe and North America, performance art developed as a genre in its own right in the 1960s and 1970s, as a way for artists to escape the commercialised space of the art gallery and create a work of art that existed in time and space, which could not be bought or sold.

Attached file: 20110622_Bryzgel.pdf

The publication, consisting of more than 700 pages, and edited by Ivo Purš from the Institute of Art History, Academy of Sciences of the Czech Republic, and Vladimír Karpenko from the Faculty of Science, Charles University in Prague, is the outcome of a project supported by the former Grant Agency of the Academy of Sciences of the Czech Republic in the years 2007-2009. In addition to the editors, a number of Czech and international specialists on Rudolfine issues contributed to the publication (Jarmila Hausenblasová, William Eamon, René Zandbergen, Rafał T. Prinke, Hiro Hirai, Alena Richterová, Jakub Hlaváček, Josef Smolka, Václav Bůžek, John A. Norris, and Pavel Drábek).

Attached file: anotace_Purs_Alchymie.pdf

Studia Rudolphina: the Research Center for Visual Arts and Culture in the Age of Rudolf II offers a study visit in memory of Kateřina Dušková, a young colleague who died tragically at the very beginning of her academic career. This study visit at the Institute of Art History, Academy of Sciences of the Czech Republic, is financed on the basis of donations by sponsors, and is intended for students or young researchers from both the Czech Republic and other countries whose field of interest is related to art-historical issues from the time of Rudolf II.

For two years now, the Museum of Modern Art in New York (MoMA) has been organising the project Contemporary and Modern Art Perspectives (C- MAP) in a Global Age: A Program for Research at the Museum of Modern Art, which aims at disseminating knowledge and discussion of modern and contemporary art beyond the regions that are most heavily represented in the MoMA collections (Western Europe, North America, and Latin America). The consultants and moderators for the project are Prof. Homi Bhabha (Harvard University) and Prof. Mieke Bal (Royal Netherlands Academy of Arts and Sciences). The main geographical areas targeted by the project are Brazil, Central and Eastern Europe, and Japan.

On 23 March 2011 Gauvin Bailey, Professor of Renaissance and Baroque Art from the University of Aberdeen explains why is the architecture and decor of the Southern Cone of South America distinct from the rest of the continent: it showcases the Rococo style, in contrast to the heavy Baroques of the rest of Latin America. Rococo’s presence in the region can be credited almost exclusively to the influx of Central European architects and designers into the region. Trained in the Rococo style artists from Bohemia to Swabia brought a distinctly Germanic flavor to the churches of present-day Chile, Paraguay, and Argentina. Germanic influence was also crucial in Brazil, where it arrived second-hand thanks to an enthusiasm for Germanic Baroque in Lisbon, but also first-hand when Germanic designers established themselves in the Amazon missions. But by far the greatest number of German-speaking architects and artists to work in one place—fifty at a time in the 1740s—were active in Chile.

Attached file: 20110323_Bailey.jpg

Attached file: 20110323_Bailey.pdf

On 9 March 2010 professor Carl Goldstein from the University of North Carolina gives a lecture in the Institute of Art History, Husova 4, Prague. The topic is the body in traditional Western art, which is an ideal body. The focus on the physical body in recent and contemporary art therefore represents a fundamental re-oreintation of traditional values, the one as the other to be examined and contextualized.

Attached file: 20110309_Goldstein-1.pdf

Attached file: Carl Goldstein_bibl.pdf

The colloquium "The Royal Court and the City" will take place towards the end of the exhibition "A Royal Marriage - Elisabeth Premyslid and John of Luxembourg 1310", held in Prague at the Stone Bell House on the Old Town Square from 4 November 2010 to 6 February 2011. The colloquium, organised by the Institute of Art History, Academy of Sciences of the Czech Republic, will take place in the Academic Conference Center, Husova 4, Prague 1 with the support of the Polish Institute in Prague, the City Gallery Prague, and the embassies of Luxembourg, Poland, Spain, and France.

Attached file: colloquium_Prague.pdf

Attached file: kolokvium_Praha-1.pdf

In recent years, interest in national photographic heritage, both institutional and public, has been a burgeoning phenomenon, and with it an awareness that much remains to be discovered.

Adolf Hoffmeister (1902–1973) became one of the most remarkable Czech artists of the twentieth century thanks to his prolific activities. The publication includes, for the first time ever, a comprehensive list of all the objects from Hoffmeister’s collection of non-European ethnic art, bringing together indigenous objects from the two American continents, as well as from Africa, Oceania and Indonesia.

Palatium. Research about european residences between 1400-1700 is a Research Networking Programme financed by the European Science Foundation (ESF). It brings together scholars from different fields across Europe to promote trans-disciplinary and trans-national research on Court Residences as Places of Exchange in Late Medieval and Early Modern Europe (1400-1700).

Attached file: Escorial-2.jpg

On 26 November 2010 an international working meeting will take place in the Academic Conference Centre, Husova 4, in Prague, to mark the completion of the "Resurrected Treasure" project. Participating in the meeting on the Norwegian side will be the representatives of the Preus Museum of photography Hanne Holm-Johnsen, Jens Gold and Hege Oulie. Papers will be presented on the Czech side by Jiří Roháček, Petra Trnková, Martin Krummholz (Institute of Art History, Prague), Tereza Cermannová, Libor Jůn, Petr Hudičák.

Attached file: zasedani NF.pdf

The civic association "Forum: Science is alive!" is organising an untraditional open-air exhibition of photographs on Na Příkopě street in Prague (between Můstek and the Černá Růže passageway) from 21 October to 3 November 2010. During the past year the street has become a place which researchers have used for the first time in their history to defend the high quality of Czech research. Now researchers are returning to the public arena. It will be an opportunity to get to know what they look like and what they have to say.

Attached file: pozvanka_n_mail-2.pdf

The exhibition 4 November 2010–6 February 2011, organized by the City Gallery Prague, Prague City Museum and the Prague City Archives, will be held on the occasion of the seven hundredth anniversary of John of Luxembourg's ascent to the Bohemian throne after his marriage to Princess Elisabeth Premyslid of Bohemia.

Attached file: press_ENG-1.pdf

Hans von Aachen and new research in the transfer of the new idea in Central Europe. International conference organized by the Institute of Art History of Academy of Sciences of the Czech Republic in association with Suermondt-Ludwig-Museum Aachen, Administration of Prague Castle, and Kunsthistorisches Museum in Wien.

Attached file: Aachen_Program schedule.pdf

The exhibition Emil Filla: Archive of artist represents a particular constituent of the archive of the painter Emil Filla (1882–1953), which was founded and worked out primarily as visual information.

This project of the Institut national d’histoire de l’art (INHA) in Paris, in which the universities in Toulouse-le-Mirail and Liège are also involved, is intended to help create a European network of researchers into mediaeval art from the 12th to the 16th centuries.

The Department of Documentation of the Institute started the Resurrected Treasure project supported by the EEA and Norway Grants in 2009. The specialist public was informed about the first results of the project

The Institute for Art History, Academy of Sciences of the Czech Republic, in cooperation with the Suermondt-Ludwig Museum in Aachen, the Prague Castle Picture Gallery, and the Kunsthistorisches Museum in Vienna,